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Introduction - "[F]rom the inmost heart outwardly": Hawthorne Exposed Thomas Constantinesco, Caroline Hildebrandt, Édouard Marsoin, and Cécile Roudeau Preamble Hawthorne transcendentaliste ? François Specq I. Gender Dynamics Nathaniel Hawthorne, Margaret Fuller, and the Anxieties of (Re)production Alice de Galzain "Poison Was Her Element of Life": The Making of Difference in "Rappaccini's Daughter" Anna Shmatenko II. The Aesthetics of Politics « Let us hear which will laugh loudest » : Le rire et l'histoire dans les Tales de Nathaniel Hawthorne Pauline Pilote Hawthorne's Throngs Danielle Follett Interlude Hawthorne séculier ? Caroline Hildebrandt III. Eco-readings Domestic Ecologies and the Art of Short Fiction: Hawthorne's and Melville's Manses and Mosses Michael Jonik The Afterlife of Prophecy: Reading "The Great Stone Face" in the Anthropocene Antoine Traisnel IV. IV. Echo-readings Church Bells in the Forest: Sound and Genre in "Young Goodman Brown" and "The May-Pole of Merry Mount" Jamie Fenton Voice, Logos and Community in "The Gentle Boy" Florent Dubois Interlude Hawthorne Moralist? Mark Niemeyer V. On Inscription Allegory, Beauty, and Gender in "Rappaccini's Daughter" Richard Anker Nathaniel Hawthorne et Susan Howe : de « The Birthmark » à The Birth-mark, enjeux scripturaires de la marque Antoine Cazé Coda Looking for the Letter Shirley Samuels Contributors

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